The Zen of Editing
May 26th, 2007 . by PeggyAmong my many eccentricities, I meditate on a regular basis. I’ve been doing this since I was a teenager. But when you are young, you tend to use your meditation time to worry about things that you otherwise don’t have time to focus on, like, is my butt too fat, or should I move to Australia. As I matured, I began to understand that my meditation time was rare and precious. I could no longer afford to waste it on frivolous escapism or selfish worries.
What is the true goal of meditation? In my view, it is not merely to escape a stressful situation, but a way to train our minds to work as a tool. It is a way to observe ourselves objectively, and become aware of how we think, react, and feel about a variety of circumstances. We can then become the owners of our mind. We can use it intelligently, and not find ourselves constantly caught up in it.
Writing is a joy for many – a way to free your fantasies about moving to Australia, and put them down on paper. But it is easy to become emotionally involved in what we write, and instead of it becoming a tool for the transfer of knowledge, we instead find ourselves controlled by the writing.
Imagine if you were a contract writer, instead of someone who wrote for the sheer joy of it. The companies that produce romance novels, for example, use a variety of statistical data to determine titles and general plot outlines months in advance. They are producing a product – not a personal work of art. Let us suppose that you were one of the writers hired to (forgive me for this shameful pun) flesh out these plot outlines. It is your job to creatively work within the boundaries set out by your client. In other words, you didn’t invent this stuff. You are no more emotionally involved with the product than if you were someone hired to mop a floor – you only care about the floor in as much as you want it to be shiny. You don’t want to marry the floor.
In other words, you are able to observe yourself as you write. You can examine your writing based on a pre-determined set of criteria; your vision of your goal. (A book that women will buy faster than you can say “Fabio cover shot”.) Your writing has become a tool that you are in control of. It performs a function rather than sweeping you away with it. What a powerful feeling!
In a sense, this is the beginning of a quality editing process. You are neutral to the contents (or at least, you should be) and you can therefore evaluate them based on their true merit. Their worth as a vessel of knowledge, or meaningful art form. The zen factor becomes apparent when you are able to differentiate between the impact of the message, and the non-essential frills around that, without feeling any particular way about either part.
When we separate ourselves from anything, we become more appreciative of it’s true value. The observation – the zen-like quality – allows us to use our writing more effectively, more truthfully, and more meaningfully. In other words, it is a good thing that my butt is too fat, because that allows me to sit on it comfortably, and to write for many hours at a time.




