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Article: 6 Tips for Design

February 18th, 2010 . by Peggy

Check out this article from iStock.com, about 6 things to keep in mind when designing a logo. These tips can also be handy to keep in mind when designing books, book covers, and typesetting books or ebooks.

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Next-Gen Storyteller: Felicia Day

February 12th, 2010 . by Peggy

If you haven’t heard of @FeliciaDay, you’re missing out on the next Carol Burnett. She’s what I call a next-generation storyteller – and here’s why.

Of course she’s beautiful, hysterically funny, and wickedly clever, but more importantly: she understands what technology will do for her. It’s not what you’ve got, but how you use it.

Day’s Wikipedia entry reads like someone much older than her youthful 30 years. (Like, turned down acceptance to Julliard? Whoa.) A master of a number of art forms, she is an accomplished violinist, opera singer, dancer, screenwriter, actor and scholar. Her real new media fame came in 2007 when she embraced web video for her project “The Guild”, which is a web comedy available for viewing and download on a variety of web video sites, including iTunes.

But, what makes her a “next-gen storyteller”?

Two things: extension and technology. It’s not just that she has a trendy web show based on computer gaming – it’s waaaaay beyond that.

Day makes high quality and often personal connections with her audience, both real and virtual. She regularly mingles with fans at various conferences (such as ComicCon in San Deigo each year) and many live screenings and non-profit events. She understands that the story extends off the screen, however small it may be. Then, she uses all technology mediums available to her to extend this story, including a wide variety of social media outlets, and even a music video (“Do You Wanna Date My Avatar”) in which she sings and dances to a song of her own composition. (To-die-for-funny: $1.99 on iTunes.)

Check out this timeline:
- 2007: releases first season of “The Guild” loosely based on her own experiences as an avid player of online games. The primary outlet is YouTube, and it’s free. Halfway through this year, she grabs a Twitter ID and starts posting.

- 2008: At least partly thanks to exposure from The Guild, Day is cast in a variety of other parts, including the genre-defining “Dr. Horrible’s Sing-Along Blog” (another web comedy).* She even has a guest spot on the TV series House. She also releases Season II of The Guild, and works on another web project with her Guild co-star Sandeep Parikh, Legend of Neil. MSN makes a deal with The Guild to expand releases to XBox Live, MSN video, and Zune, and suddenly, Day is earning money from this venture.

- 2009: The third season of The Guild is released to its’ now rabid fans, and Day herself achieves one of the most coveted social media trophies: the #3 most-followed person on Twitter. (As of now, she’s somewhere around #50.) She also continues to guest star on a variety of mainstream TV shows like Joss Whedon’s Dollhouse.

Just three crappy years, and it appears that she’s so busy doing web video that she no longer has time to pursue work in film, which is much more risky and far less fun.

Day uses all that the web has to offer: iTunes is just the tip of the iceberg, even though for most this would be considered killer bread-and-butter distribution. The deal with MSN is freakin’ brilliant, allowing her to penetrate even deeper into the community that has supported her from the beginning: online gaming. She’s every Gamer’s dream girl.

Like Madeline Kahn and Mae West before her, she plays down her obvious beauty, and writes, directs, acts, and allows her comedic nature to help her story. She is one of those multi-talented women that has been allowed to explore her creativity – and we love her for it. She is still warmly received by her community, and often pokes fun at the roles she’s played, and any possible criticisms of ‘selling out’ (Parikh: “Where’d you get all this money? We make a web series..??!!??”) by making even more content with that community.

I have to admit, my favourite part of this story is the music video. Again, quality rules: the crossover only works because it’s actually a good song. It offers the other cast Members a chance to really strut their stuff along with Day. (Wow – check out Parikh’s backflip, and it turns out Okuda is a fantastic dancer.) Her people love her, and she loves them right back.

Can anyone replicate this recipe? Of course. If you can’t cook, ally yourself with people who can: Felicia allies herself with technology experts (even though, importantly, she has a strong grasp of the technology herself) and with other actors and creatives.

The NG Storyteller never goes it alone, but they boldly blaze the trail for those that support them.

*DHSAB is a creation of the brilliant Joss Whedon, inventor of Buffy the Vampire Slayer (where she has previously guest-starred), Firefly, and a string of other mainstream and web hits.

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7 Essential Viral Video Marketing Tips

February 3rd, 2010 . by Peggy

Don’t spend valuable time creating your viral marketing video until you examine these simple-but-important tips. All of them are FREE, but essential.

If you’ve heard about video marketing, but are unsure how to really hit the streets with it, all that we’re talking about is creating a small video that helps to generate awareness and enthusiasm around your book, ebook, or other product. You can easily create videos yourself, or hire the pros to do it for you. The video is then distributed through social media channels like YouTube (and other video outlets), FaceBook, Twitter, on blogs, etc. The idea is to use the video as an automated sales device, driving buyers back directly to you or your retailers. You can read an earlier article I wrote about this subject by clicking here.

1. Display the URL on every single frame. Any simple video editing software (yes, including Windows Movie Maker) will allow you to do this in one way or another such as a simple band across the bottom of every frame that displays the URL where people can go to purchase the book.

2.Be sure you have a landing page in place before you release the video. It’s no use inviting traffic unless you have a place to drive that traffic. Simply driving traffic to your standard website is not enough – be sure that you create a page or mini-site especially designed to sell your book.

3. Keep it short and sweet. Videos with long, useless intros or dragging scenes that frustrate the viewer are wasted screen time. Chop them out. The entire video should be less than 90 seconds, and 30 seconds is ideal.

4. Include the techy stuff. In the book universe, people need to know stuff like page count, ISBN, distributors, etc. A teeny splash page at the end is enough to convey this clearly. All products have some sort of techy details, like pricing, style and size choices, etc. Be sure to give the basics for interested potential buyers.

5. Take into account multiple audiences. Authors need to direct the video at not just readers, but also booksellers, reviewers, librarians, etc. These may have many of the same needs, but including a few different details to address each of these viewers is important. This can be done carefully without diversifying too much.

6. Use humour. Who wants to watch a boring, dry, video? Unless your video is about the stress of bankruptcy or the death of a loved one, there’s always a way to use a gentle hand with a bit of a smile. Your goal is to keep them watching until the end. (And in the case of death or bankruptcy, the smile comes from the relief you provide.)

7. Don’t neglect the metadata fields. In YouTube (98% of all viral web videos are distributed by YouTube*) there are fields that you can add a description, keywords, and other behind-the-scenes stuff that gets picked up by the search engines. This is what makes the video viral – it gets found when people search. Do your keyword research and get that stuff nailed down before you even start creating the video.

See a future article very soon about keyword research, which should be the first thing you do before you even think about creating your video.

* See this additional article for similar stats and info.

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eBooks on the iPad

February 1st, 2010 . by Peggy

I can’t stop watching the iPad video over and over. But how will this device work as an eBook reader, and what do eBook producers need to know?

iPad image from Apple.com

The iPad is (partly) designed to elevate eBooks to the next level, and it’s really the first practical, portable incarnation of a reader designed to take advantage of what I’ve been calling “next generation eBooks”. (Despite the fact that ‘eBook reader’ is pretty far down on the list of all the apps and features of this device, long after video and web surfing.) This means total integration of my “Three M’s of eBooks”, which are: multimedia, modular, and mobile.

As eBook creators, here’s what we need to consider as we prepare to launch eBooks for this elegant new platform;

eBooks are no longer just applications, as they have been since their adoption of books into the iTunes app store in late December 2008. eBooks are managed through eBook reader applications like iBook, the fully integrated eBook reader in the iPad, (!!), which offers books in the ePub format. This format is also supported by readers like Lexcycle’s Stanza, Mobipocket, and Adobe Digital Editions. iBook will allow you to purchase, download and read books wirelessly, right from the device, without the connection of a computer.

We don’t know what the selection of books will be like in the US-only (for now) iBooks store. Will they eventually have an inventory similar to Amazon? The publishers reportedly offering books in the store include; Penguin, HarperCollins, Simon & Schuster, Macmillan, and Hachette, but who knows about others.

Neither do we know what sort of specs developers will have to deal with, but we can surmise that it will be similar to Kindle, as the iBook store will support books in the “re-flowable” ePub format.

The display of an ebook will be more like an actual book, as seen briefly in the video. Page flipping is more natural, and perhaps to take advantage of the superior screen, the format will expand to allow producers to control more things like font styles, embedded graphics and so on, but still allow the user to control things like zoom and font size. We’ll have to see the finer points of this.

We don’t know what support iBooks will have for independent publishers and self-publishing Authors. Kindle is relatively kind to self-pubs, (compared to some retailers that will remain unnamed) and Apple has a great history of inviting in independent iPod app developers, so let’s hope their relationship with independents through iBooks will also be a good one.

Kindle books will apparently still work, as the iPad claims that is will still be compatible with all the iPhone and iPod apps, including Stanza and the Kindle app. However, apps designed for the iPod and iPhone will only display as a small part of the screen, so books read through existing apps won’t take advantage of the new screen size, which is rather dumb, if you ask me.

More apps mean more eBook formats, such as multimedia PDF’s and so on. But since Flash support has not existed up until now on any Apple devices, (Apple is totally *not* buds with Adobe – like, whatever, just get over it…) we still won’t see the full potential of all that a “next generation” ebook could be without embedded flash in PDF’s. In other words, it’s still not likely to display all that a multimedia PDF would if you opened it on your PC.

We don’t yet know what role DRM will play in this new iBook universe. It’s pretty tough to imagine Apple allowing eBooks to download in a DRM-free manner, even as an option, but you never know. Apple has surprised us before. Many, many times before.

Books can possibly be more than just pages, because with a beautiful display like that available to us, we can really get creative when it comes to adding multimedia content, or adding value to book bundles with things like audio content and printable extras all zipped into a friendly package.

Yes, there are still plenty of big question marks. But, I know I’m going to seriously consider purchasing an iPad for myself. I’ve been waiting for the release of this device to make up my mind about a portable eBook reader that I can really live with.

But no matter what, I can’t wait to start developing eBooks for this thing!

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