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eBook Covers: Screen Fonts vs. Print Type

July 16th, 2012 . by Peggy

Bad font choices can make or break your eBook cover design.

Are you designing your own eBook cover? Great! Here’s how to choose a font for the title and other text on your cover.

(And BTW< this is not something that’s worth obsessing over. You have a lot going on right now – and obviously, your first concern needs to be writing a great eBook.)

The difference between a screen font and a print typeface deals with the intricacies of readability and the science of typography. A screen font is one that’s designed to work and read well from a screen, versus a typeface that is designed for print, and not to be read on a screen at all. It’s a common mistake to not realize the difference, and use a screen font on an eBook cover, and I’m not sure that’s a good idea.

I should mention that the very word “font” is actually only used to describe the set of files that compose a screen font – not the typeface that is meant for print. Typography geeks might get on your back about that.

Screen (or web) fonts are meant to be readable in reflowable text situations, and represent well in what are generally lower resolutions on a screen. These fonts have different spacing attributes, meaning the spacing between letters, between the “legs” of each letter, and any enclosed areas, such as the gap in the middle of an “A”. Screen fonts are also meant to scale well and look good at both large and small sizes without any sacrifice to structure and readability. Font files will contain different sets of the letterforms than a print typeface. You’ll typically find a bold version, an enlarged bold, etc. Italics are found less often, due to their typically poor visibility on a screen. There’s a great article about this subject here: http://www.sitepoint.com/anatomy-web-fonts/

Print typefaces are typified by greater complexity and customizability, so that a designer in full control of the printed object can manipulate a typeface to an amazing extent. Designers can treat type like a graphic object, even though that’s usually something that’s tough to pull off.

A big part of this entire debate – and yes, it’s still an open debate – is what’s known as kerning. Kerning refers to adjusting the spaces between letters and words. A typesetter can adjust the kerning in a word or sentence so that parts of the letter overlap into the space of the letter immediately preceding or following it. For a great illustration of this concept, have a look at this Wikipedia article: http://en.wikipedia.org/wiki/Kerning.

Because we don’t typically adjust kerning for screen text, each letter in a screen font has a pre-set amount of space that surrounds each letter. This is what’s known as “monospaced” type. In other words, a screen font is meant to be standardized so that no matter what letter falls after which, the font will remain readable and properly spaced. Some screen fonts have evolved to be able to be kerned, but it’s highly automated, and like anything that’s fully automated, there will be some areas that just don’t work precisely the way that we’d always like it to. Sort of like factory cheesecake. Still good, but perhaps not worth blowing your diet over.

It’s not true that all serif typefaces are really for print, and non-serif fonts are for the screen, because in the years since modern monitors first came out, fonts and typefaces have evolved both artistically and in terms of usability. We now see both types of type in both print and on-screen. But there can be dramatic results by manipulating little things like the extension on the cross of a “t”, for example, which helps letters fit in a way that makes good use of the space on the screen, and still looks natural. Some typefaces, like Times Roman, were designed for specific things, like newspaper columns, and there are sooo many much better choices for serif typefaces in books, documents and papers, that I’m amazed that people still use that font at all. Times Roman is like the Scottish Play – you just can’t say the name of it at certain parties.

It’s considered a major no-no to use a screen font in print. The end result is a font that is not kerned properly, meaning that there are uneven gaps between the letters, which if they are used for the title, is going to glare at you from smack in the center of the cover of the book. There’s also something called aliasing, which very simply means that the angled edges of a screen font can be artificially smoothed to appear softer on the eye. Again, this is one of those areas that can get thoroughly messed up if you don’t understand the finer settings of stuff like Photoshop. Simply taking a high-resolution typeface and shrinking it down will not adjust the resolution properly, making it look “jagged” and blurry. See here for another article with an excellent technical explanation: http://en.wikipedia.org/wiki/Spatial_anti-aliasing

Screen fonts also have different effects when justified, due to automatic kerning. If you align a paragraph to be justified using a screen font, the letters across the line will be aligned with even gaps from the outermost point of each letter, which means that if an “A” and a “V” happen to follow each other, there will be too much space between them. A print typeface will typically automatically compensate for this, making the line appear more naturally-spaced, and therefore lend itself to a more natural reading experience. You cannot always correct this with hand-kerning. And even if you can, it’s time-consuming.

No matter what, if I were you, I would not geek out too much about this issue. There is an argument to be made that using screen fonts for the design of eBook covers is totally appropriate, considering that they are not meant to be printed out – the covers, too, are seen only on-screen. But I must say that I’ve seen a lot of oddly-spaced type out there: it floats, strangely, like a ship that isn’t anchored properly.

I think it’s a style choice. Is it readable? Does it look professional? Does it clearly make readers understand what they’re going to get in this book? If you answer yes to all of those, then great. Trust your eyes and your instinct.

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6 eBook Tools That I Can’t Live Without

June 25th, 2012 . by Peggy

Part of my job is to try all sort of things that help Authors. Here, I’ll show you six things that I’ve personally tried, and that are really helping me with various things related to online marketing and eBooks.

1) Evernote is great for;

- web-based research, saving web pages

- take a pic of a white board, it saves it as searchable text

- recording audio notes to myself (using the associated FREE Android app)

- my to-do lists and perhaps even dictation on the go

2) Smashwords is great for;

- reviewing an excellent style guide when formatting your eBook for almost any platform

- uploading an eBook to multiple platforms at once, including Kindle and others

3) Audioboo.fm is great for;

- quick podcasts using only my Android phone

- interviewing Authors and Experts with no prep or notice

- immediate, no editing, low-tech

- finding other 5-minute podcasts to listen to, both at home and on-the-go

4) MailChimp is great for;

- growing and managing my email list

- designing and sending out really nice-looking newsletters

- pay only as I need to and my list grows

5) MindMeister is great for;

- outlining before I write eBooks, white papers, audio products, and blog posts

- setting goals and outlining the tasks I need to complete to achieve them

- org charts, planning websites, and even illustrating processes to clients

6) Visual Thesaurus is great for;

- the obvious (an interactive thesaurus like no other)

- brainstorming domain names, eBook titles, products, and keywords

- try changing the settings and watch things fly around!

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When eBook Choices Seem Overwhelming

June 11th, 2012 . by Peggy

Stuck in a revolving door of confusion about eBooks?Stuck in a revolving door of confusion when it comes to various technologies around eBooks? You’re not the only one.

Knowing your options may seem like you’re opening a can of worms, but actually, I find that most of the choices in eBooks really boil down to just a few questions.

The problem is that these few choices have been inflated and repackaged a million ways. When various companies start inventing their own words to use for the same things, nobody knows what the heck is going on.

Once you know what to look for, it’s easy to pigeonhole options when they present themselves, and know if a new choice is something you really need to consider, or if it’s overrated or unneccessary.

Here are the questions I hear about the most in my presentations and workshops.

1) Do I need to create a PDF or an ePub?

This is really the biggie. Everything else falls into place based on this. For more information on each of the platforms, and how to make the choice based on your content type, read this previous blog post from me.

2) Do I need to hire an “eBook Publishing Company”?

This category of company invented itself a couple of years ago. Are they capitalizing on the confusion by charging outrageous prices for stuff that most people can do themselves? In most cases, absolutely. (However, there are some that I’m testing and that I may recommend in future.)  The built-in systems inside Amazon Kindle, for example, enable any non-techie to do it all by themselves. Anybody who can type an MS Word document can publish on Kindle. For more information about how to actually do this stuff yourself, sign up for my mailing list. I’ve got new video classes coming online very soon.

3) Do I need an Editor?

A resounding YES. For me this is not negotiable. In almost 170 eBooks, I’ve met exactly two writers who did not require the services of an editor. Two. Neither you nor I are one of those two. Find someone qualified you can work with, and just make the best deal you can. Try this database of freelance editors to start.

4) Do I need to hire someone to typeset my eBook?

If you are creating something that you want people to buy and read on Amazon Kindle, no, you certainly do not, as that’s not how Kindle works. (If you don’t know this already, it means you need to buy an eBook on Kindle and read it, to familiarize yourself with the platform. You can read an Amazon Kindle eBook for free using your computer, your phone, or your iPad or other tablet – you do not need to buy a Kindle device, or even pay money for an eBook for that matter.)

However, if you’re creating something that should be printed out and written in, or that contains many illustrations or tables or charts, or that must be seen in colour to make sense, then yes, you may want to consider hiring a designer to lay it out as a PDF for you. This means it’s more likely that you’re going to sell it off your own website, rather than on a platform like Kindle, Kobo, Nook, and etc. (Please, I beg of you, don’t simply type up an MS Word document and use that to create your PDF for download. It looks like crap.)

5) Do I need to hire a cover designer?

Unless you have some reasonable graphic design skills, yes, a professionally-designed eBook cover is totally worth the money. Don’t try to buy software and learn it as you create a homemade-looking cover design – too frustrating. You can certainly get a really attractive cover designed for you for about $200 – $500 USD. There are some great people overseas. (Or, hire me. It doesn’t matter – just be sure it looks slick.) I’ve written about eBook cover design guidelines here. You can share that previous link with your graphic designer.

6) Do I need a website devoted entirely to this eBook?

Perhaps not. What every book does need, however, is a landing page. If you already have a WordPress site, that means just adding another page to your current site, one that is totally devoted to selling your eBook, without distraction, alternative navigation, or outbound links. This page is where you’ll direct web traffic to “land” when they respond to things like your social media links, any ads you have to sell your eBook, or from other websites and blogs.

Let us say that you are a chef, and you’ve written a cookbook. The cookbook is a PDF, which means that it’s loaded with colour photos, lists of ingredients, and indented instructions. You want to sell this off your own website, and use it to build your profile. The best way to accomplish this would be to devote one landing page on your site to just selling the eBook. From that page, create a really HUGE and obvious link in the top right corner that says “Order my copy NOW!”, and make that button go directly into the shopping cart experience.

That sales page does NOT need to be independent of your website. In fact, it will work better if it’s not, as it reduces maintenance for you, as well as being able to easily capture traffic from the rest of your website.

7) How do I start writing? What should I use to type it?

Just use whatever you are most comfortable using. These days, everything can be exported and imported. Most people still write in MS Word, which is just fine, no matter how you plan to ultimately output your eBook. (I happen to prefer the free software Open Office over Microsoft products, but as I say, it doesn’t matter.) It helps a great deal to reduce the amount of formatting you use, and keep it as simple as possible, to avoid having to make adjustments to the manuscript later on. Whether you plan to release it as a PDF or as an ePub, as in, Kindle, etc., MS Word (or Open Office) is still a perfectly good way to start out.
Don’t worry at all at this stage about things like spacing, designing the layout of things on the page, or especially fonts. This seems to get asked all the time, and yet, at the first stage, this is absolutely the wrong thing on which to focus. Instead, worry about your marketing plan, your outline, and finding any images you wish to include, again, no matter which type of eBook you plan to create.

While this is not an exhaustive list, this certainly covers the most common questions I hear. The key is to simply not worry about the details too early in the process. The bigger question of things like your marketing plan and your keyword research are still the most important first steps.

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Choosing A Platform For Your eBook

May 31st, 2012 . by Peggy

Kindle reader on the iPadThe Kindle platform is great for many types of content, but not for all. When I offer my presentations and classes, I have a few slides that help walk Authors through the following choices. Your content might work for all platforms, or not.

For the sake of simplicity, I break eBook platforms into two major categories: PDF, and ePub. Both of these are compatible with Mac and PC platforms, and both can be sold off your own website. And, both can be used for the same content. But they will look quite different.

We all know what a PDF is. Static, colourful, suitable for things like charts, diagrams, fill-in-the-blanks, and of course, easily printable. Designers LOVE a PDF, because they know, without a doubt, that what they see on their screen is precisely what the consumer will see when they purchase it and open it. There is no fluidity to the content. It stays where you put it. This reliability is what caused the explosion of the PDF format in the first place. It can also be distributed and created more easily, and for most people wanting to sell a self-help or business book from their blog or website, the PDF option provides a very smooth experience for the consumer. The creator can use the simplest possible sales mechanism: the PayPal shopping button, which has virtually no maintenance, and is extraordinarily easy to setup, even for non-techies.

Plus, there really isn’t much to worry about in terms of things like tech support for the user. Once the consumer has downloaded the PDF, they can even use their Kindle device or software to open the file, as well as Acrobat Reader, Adobe Digital Editions, or various other software, making it extremely user-friendly.

However. (Ahem.) Let’s suppose that the user doesn’t shop that way for their eBooks. If they do a search on Amazon.com for your keywords, they will miss you entirely. And further, let us also suppose that you want to take advantage of the DRM support provided by ePub-based platforms like Amazon Kindle. And even further, let’s suppose that you just don’t want to be the one managing the shopping cart – you’d rather leave that to Amazon. And after all that, let’s just say you want it on Kindle so that you can win the bet with your know-it-all brother. (Matt, you lose.)

The big dividing line between PDF’s and ePubs is that ePubs are really all about text – not design. While they continue to evolve, and yes, images and so on can work beautifully, you’re really never quite sure what the consumer is going to see when it gets to their end.The Kindle platform is very user-friendly, virtually eliminates piracy, and allows the reader to conveniently carry their library in their mobile phone. All of that works the way it does because content for Kindle is really just text, and therefore, a very small file size. It’s about the raw, flowable text: not charts, not diagrams, not comparison tables, and certainly not large or complicated images.

Upon dissecting an ePub, which is the base of the proprietary Kindle format, you’ll find yourself looking at an html file – essentially, a web page. That’s right. Tags, text, and image files. Does your content rely on images to explain concepts? Do you have not a piece of prose, but a workbook in which users must perform exercises or fill in blanks? Do you rely on dramatic spacing and a series of complicated indents to set apart portions of your content,  such as in poetry?Do you have sidebars or flyouts? Do you rely on colour to make distinctions in the text? If so, you may wish to reconsider the use of the Kindle platform, and instead, stick to PDF’s.

While ePubs have evolved dramatically, and continue to do so, the reality is that there is just too much out of your control as the creator of an ePub with a lot of graphics, colour, or special text placement on the page. The content may not look like you expect it to on all devices and all platforms. (And in fact, I can virtually guarantee you that it will not.) If that’s the case, will it still make sense? Be readable?

Understanding the nature of the ePub or Kindle platform before we start to write allows us to create content that exploits its benefits, rather than getting caught its traps. For example, novels and non-fiction prose are very well suited to the ePub – Kindle platforms. That is exactly the sort of content for which the platform was invented, and, using even the most basic marketing will virtually guarantee some sales. Creating content that relies on rich descriptions and high-impact language will do best in this situation.

This is why regardless of recent advancements in ePubs, I still caution users to rely on only the most simple formatting when creating content that they intend publish via Kindle, or a multi-platform ePub uploader such as Smashwords. When content is uploaded into useful systems like this, the interface to the creator forces the content to be reduced to its very bones, thereby ensuring compatibility to multiple retail platforms. For ePubs, simpler source content guarantees better results, and that’s why the PDF isn’t going anywhere: we still need it for its reliability of design and function.

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How to Title Your eBook

May 1st, 2012 . by Peggy

Here are some great tips for choosing a title for your book or eBook. Done carefully, the correct title can really help ensure the success of your project. Or not.

The title of your eBook should start with your goals and keyword research. Regarding non-fiction eBooks, the title must accomplish the following things;

Your title must directly relate to your keyword research. Read this document to help you with that.

You must be able to purchase the exact URL for the title. For example, if your title is How To Train Your Pet Monkey To Vacuum Your House, you must be able to purchase HowToTrainYourPetMonkeyToVacuumYourHouse.com. (Speaking of which, just how much does a pet monkey cost these days?) If you can’t get the exact title, yes, I would seriously reconsider re-titling the eBook. That domain name should point directly to a sales and information page about the eBook itself.

The title should clearly demonstrate to readers what they will discover in this eBook. Don’t use crazy slang, phrases that you invent, or other non-intuitive language. Be clear. If this is about how to get girls by becoming a great DJ, then please title it, How To Get Girls By Becoming A Great DJ. Since I’m old, and female, I don’t even know what the “street” title could be for that, but you get what I mean.

It should ideally be less than 32 characters. So, the monkey example doesn’t fit that, but Keyword Cheat Sheet does. (Although yes, that slightly violates the hard consonant rule, below.)

It must be easy to understand and speak. Try to include hard consonants that make it easy to hear and understand when spoken over background noise, or when someone has an accent, like us Canadians from Vancooooover.

You must be able to visualize others in a series. If you can share things like title text portions or other imagery among a series of books, you have a greater chance of achieving cross-marketing between your own products.

Don’t include digits or numbers. People never know whether to write the digit or spell it out. If you must include digits, buy all the related domains, such as 7monkeys.com, as well as sevenmonkeys.com.

Once you have chosen your title, lock it in by actually buying the domain within the hour. If you have spent hours searching if certain domain names are available, and then you walk away and don’t purchase the one you want immediately, you might lose it. This is because many domain registration services have automated systems that spy on your searches, and then if you don’t buy the good ones, they will. And, they do this quickly. You are doing the difficult imaginative work for them, and they can easily capitalize on good domain names by trying to resell them using their automated systems.

Don’t forget to also buy your Author name domain as fast as possible. It is one of the great agonies of my life that I do not own PeggyRichardson.com – I was too late to grab it after I searched to see if it was available. I do own PeggyRichardson.ca, however. (Which brings you to this blog.) That way, you can use your own name or that of your eBook to drive traffic, because as I always say, YOU are the product, not the eBook.

Just for fun, try using the Lulu.com title scorer to see if your eBook is destined to be a bestseller. This is about as scientific as astrology for eBooks, but it can be great at eBook parties. (Yeah, I do that. Whatever.) You can also play The Titling Game by trying out the wackiest titles you can, and see what is the highest score. You just never know what might make you famous: http://www.lulu.com/titlescorer/index.php.

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Make Your eBook Into a Magazine

April 10th, 2012 . by Peggy

With my upcoming audio product eBook Fast Lane, I’m including a slim workbook for eBook creators. Here’s how you too can create an eBook that is also a magazine.

HP has a service called MagCloud, and it is exactly what it sounds like: a cloud printing service for magazines. Yes, you can upload your mailing list, and they will print the number of required copies, and send them out to your list. You can also order them for yourself at a very reasonable price. They have three different sizes, and the print quality is excellent. Check out the latest I just created for this platform, for friend and client Shari Molchan, of MolchanFinancial.com.

Shari wanted an eBook, but she also know she wanted something to have at her speaking events and classes. With MagCloud, we created a single file to upload – that’s right, not different versions of the file for eBook, downloadable and print – uploaded it once, and we were in business.

The PDF we created to upload to MagCloud also works as a download on Shari’s website (in lower resolution, to make it smaller and faster to download), and when the digital version is downloaded from MagCloud, it works as a cool iPad app, which shows off Shari’s content to best advantage. The print version is beautiful, using the best in magazine printing technology, bagged and delivered to your door.

SLICK, huh?

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Designing Your eBook Cover

April 4th, 2012 . by Peggy

Why are there so many eBook covers that just suck? Here’s how to un-suck yours, and design for digital, not print.

It used to be said that you had 6 seconds to sell someone on your printed book in a bookstore. Personally, I think that was an overestimation, and it’s gotten much, much worse in the eBook world. You probably have a negative time frame in which to sell your eBook, as its cover is positioned in a grid of hundreds on your screen. You need to reach out and grab the reader by the nose, not simply wait for their passive eye to drift your way.

Keep this front-of-mind: eBook cover design is not an act of art, it is an act of marketing.

Yeah, harsh, I know. But it’s the truth. I started designing my own covers years ago, and now do them for clients, for a very simple reason: I couldn’t get the graphic designer to do what I wanted. The designer would select heavenly images, take hours choosing fonts, etc., and I would often end up with something that I’d love to frame for my wall, but wouldn’t sell a single copy. Bear in mind that graphic designers are taught things like how to use design software, not necessarily things like classic perspective and proportion. And even if they do know that sort of thing, my experience tells me that graphic designers don’t always make good eBook cover designers, because they get caught up in the artistic points, and lose sight of the marketing.

Here is a little self-checklist to go through as you design your eBook cover, either by yourself, or with a graphic designer. All of the following sample images are taken from the top 20 sellers on Amazon Kindle, on this date., which might say something about the relationship of good cover design to sales, meaning, that even if your cover isn’t perfect, it will still sell if you do other things right.

1. It must be seen from a distance: nothing tiny or complicated.

Remember that this cover will typically be seen at about an inch, or possibly two inches high. If you can print it out at 6×9, tape it to the wall, step back 20 feet, and it still makes sense to a stranger, you’re on to something.

Text is too tiny and too much detail.

Text is too tiny and too much detail.

2. High contrast text and images only.

Readability is key: your title of your eBook is based on your keyword research, (right?) and you need to be sure that people are able to see it on all sorts of screens, in an eBookstore, etc. Don’t put words over top of images without giving them a glow or drop-shadow to enhance readability. No fuzzy greys.

Nice high-contrast image and easily-read title.

Nice high-contrast image and easily-read title.

3. Use colour wisely: keep to one or two focus colours, then a bold accent as focal point.

Just like dressing oneself, don’t put too much colour or fading of one colour to another in a small space. One or two key colours, perhaps those that relate to some sort of branding around the eBook, and an accent. The accent may very likely be the title of the book, in a bold colour contrasting with your background.

Pretty blues, but lacks readability and focus.

Pretty, but lacks readability and focus.

4. If you use an image, it had better be close-up / zoomed in.
Unless it’s a silhouette, don’t use un-cropped images. Bring the subject in close. Make us feel like we’re right there. Eliminate distracting background to all images, and we’ll focus on what you want us to see.

Readable text, but image is meaningless.

Readable text, but image is meaningless.

5. Don’t use brown. Top sellers all have: black, blue, and red.

This is just personal observation. However, orange and yellow work well. Brown is a passive colour, not mixed from primaries, and it may be that something deep within our brains associates it with muddiness or lack of clarity. However, red means blood or excitement, blue recalls the open sky, and black is depth and mystery. There’s a whole colour theory about this, debated by psychologists, and perhaps you have more time than I.

Nice blue, clear text, leading image.

Nice blue, clear text, leading image.

6. No creepy fonts – can’t see them in small preview images and hard to read on a screen, even if they look OK in print.

Creepy or fonts not designed for titles are so, so wrong. Too cute, too curly, too ridiculous. Unless you are mimicking handwriting, please just stick to highly-readable fonts that are designed for use in titles.

Not bad, but the font just isn't bold enough.

Not bad, but the font just isn't bold enough.

7. Mimic your print book if you have one, but not if it doesn’t work in digital format.

Consistency in branding is important. However, printed book covers rarely migrate well to digital status. It makes perfect sense then, to design for digital first, then adapt for print, changing as little as possible.

8. If you aren’t using an emotive image, use a dramatic, archetypal illustration.

The emotive image is great on a cover. (Emotive image = either the current problem or pain, or the desired corrected outcome or happy result. ie. The couple riding off into the sunset would be the happy ending.) However, if you’re not using a photo that meets the above requirements, and are using an illustration, be sure that it’s archetypal enough to be universally understood. It must have strong contrast and high visual impact.

High-contrast, meaningful image on all in this series.

High-contrast, meaningful image on all in this series.

9. Limit the text to title, author name, and a 22-character tagline, if at all.

If in a series, put the digit number high up in right-corner. Keep it clean. Let the image speak, because that’s what will catch their eye first from a distance.

10. Use consistent imagery throughout your work, and esp. within a series.

It’s important to retain branding, and series eBooks can he highly successful. It’s often said that if you have an eBook that’s not selling well, write a sequel. Then all of them sell well. Readers can’t resist more of the same.

Sparks departs from his signature cover style. Too bad.

Sparks departs from his signature cover style. Too bad.

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The 5 Most Stupid Things People Do With Their eBook Business

June 8th, 2011 . by Peggy

I’ve often said that it is our duty as entrepreneurial publishers to hold ourselves to a higher standard. Like our Mothers in the 1960′s and 1970′s, we are paving the road for those who come after us. If we make eBooks and entrepreneurial publishing look cheap, unprofessional, or just plain awful, what are we doing to the next generation?

Here are the mistakes I see all the time that make me crazy.

1. We seek out the ugliest possible cover design.

Please, I’m begging you, hire a designer. A professional. A person that has done this before. A person with training. Have them do a few different samples (not complete designs) and run them past your creative circle. Remember, you’re looking for readability, a graphic theme that clearly states the book’s intent, and no half-faded images. And remember, NO CREEPY FONTS. I will find you.

2. We don’t make use of affiliate marketing.

These things don’t sell themselves, people. I always endorse a self-operated affiliate program first, but if your book is on Amazon, set yourself up as an Amazon affiliate. Using their simple automated system, create banner ads and other affiliate links for your own products. Push these links out through your Twitter stream, your Facebook page, your podcasts, your iTunes content, your blog, your charitable fundraising connections, your reviews, your classes, your signage, on your business cards, your newsletter, etc. Be a little pushy. (But not too much.) Create a URL that you can promote that links directly to a page with your own products. (See the next post for how to do that.)

3. We think we’re going to make $120,000 a month.

Around these parts, here on Vancouver Island, there was a story about a woman in Cedar, BC, that did over $120k per month in nothing but Kindle eBooks. While I doubt the truth of that, even if it was the case, she doesn’t do that in her sleep. She’s working – probably really, really hard. Or at least, really, really consistently. She runs it like a business, which means she has specific things she does over and over again, and on a predictable basis. She meets deadlines and hires help. And, we’re not talking about one eBook. We’re probably talking about hundreds – possibly thousands. So, until you’ve gone through the ramp-up phase, don’t expect to be buying anything more than a Friday night round at the pub with eBook revenue.

4. We don’t get off our high horse.

I not too proud to know I’m not a literary giant. I make my money writing marketing stuff, for the most part. I’m a small fish in a massive ocean, but I work it. I have no qualms about promoting my stuff when it’s appropriate (vs. when I would just be harassing people).I consider most of what I do as a writer is marketing work, not great writing. No, my mom doesn’t think I do a very good job on some of it. But I know that I’m meeting the objectives of my clients. I don’t write romances or the next Great Gatsby or children’s lit, because although that sort of lit comes into my house on a daily basis, I have no illusions about myself as some great fiction writer or novelist. Yes, it would be nice to make my living doing that, but I still have the screenplays in the bottom drawer, and the novel that I peck away at when I can. It’s more like an extremely enjoyable hobby. And even if I did ever offer anything like that for sale, I wouldn’t have any snobbery about where I placed ads, or where I was “represented”. I’m here to sell. Show me the money.

5. We don’t write another book.

I have recently completed eBook number 155. That sounds like a lot. I can tell you, it feels like even more. Many of them probably don’t get read, like, ever. But I am not offended by this. They are often given away as free reports or client gifts. Remember the volume principle: one book makes $1 a day. Ten books make $10 a day. And so on. The eBook business is a template business – you do the same thing over and over again. There is an expression in the book business: the second book takes 1/10th of the time to create and makes you 10 times the money. In eBooks, it might be 100 times the money.

Plus, I now have a reputation. I can write almost anything, because what I am is a good Technical Writer – I specialize in breaking down complex topics and making them easy to understand. I’ve proven my template, and it works to meet my clients’ objectives. They won’t always pay for originality, but they will pay for what makes them money.

Topics that I’ve researched and then written include WWII weaponry, high-speed Italian cars, and ancient Egyptian enbalming techniques. But most of it is things like how you can buy stocks, how to get a mortgage as a single mother with no money, how you can sell a business in Illinois, how you can buy a house in Mexico, how you can amalgamate all your debts with a second mortgage, how to start a business in Nevada, and other incredibly dry topics that make my hands shake when I think about them. But, it’s about continuity. I get the work regularly because I’ve done it before.

The eBook business is about business – not always about literature. It’s about creating a community about your book. It’s about connecting through your marketing, not just pushing, pushing, and pushing. We all make mistakes – I discover new ones every day that I’m making – but taking things in perspective helps me stay grounded and keep working. “Just keep writing, just keep writing, just keep writing…”

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Are you avoiding selling eBooks?

August 22nd, 2010 . by Peggy
Fear of the variables of the eBook biz make as much sense as monsters under the bed.

Fear of the variables of the eBook biz make as much sense as monsters under the bed.

Fear of how to actually sell and package an eBook is understandable and common. This recent blog post by Seth Godin made me wonder how many ways people avoid launching their eBook business because they don’t exactly know how the “techy” parts of the business will work.

I frequently encounter people who imagine the following obstacles:

1. I’ll have to email a copy to everyone by hand. I can’t believe people still think this, in this day and age. Of course you won’t: an autoresponder or auto-delivery system does that for you. You should never do this, even one time. Not sustainable. Not profitable.

2. I’ll need to setup a credit card merchant account. Nope, just setup an instant PayPal account and be taking payments the same hour. Or when your volume gets up there, switch to Authorize.net.

3. I can’t figure out how to format it into a PDF. So what? Just type it in MS Word, or even better, Open Office Writer, and then send it to Renee Shupe at RedHeadVA.com who will wave her magic wand (hers is red, mine is purple) and it all happens without a hitch. She can even upload it and do the setup for you – ask her about package pricing.

So, what’s holding you back? Imagined obstacles? Or real ones with easy solutions?

(Reader alert: this post contains affiliate links. I get paid when you click on stuff.)

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Article: 6 Tips for Design

February 18th, 2010 . by Peggy

Check out this article from iStock.com, about 6 things to keep in mind when designing a logo. These tips can also be handy to keep in mind when designing books, book covers, and typesetting books or ebooks.

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