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eBook Creators of Las Vegas

November 2nd, 2011 . by Peggy

eBook Group Meets Monthly in Las VegasLas Vegas is an exciting town for musicians, performers, and artists of all types. But there’s one gap: writers. While there are several large writing groups in the area, I noticed that there doesn’t seem to be much support for eBook creators. So, I started a local group here that will meet a couple of times a month and provide coaching and support.

Why not join us? You can register for the group in general, and specific meetings at: http://www.meetup.com/eBook-Creators-of-Las-Vegas/. I sure hope you’ll come out to a meeting!

(Super secret spoiler: I’ve also got a new audio product on the way that I’ll be sharing with Members of this group first…)

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Writing for eBooks vs. Writing for Paper Publication

May 25th, 2011 . by Peggy

Someone recently asked me, “Is there a difference in writing style between eBooks and paper publications?” Yes, and it can be quite dramatic.

People buy eBooks for completely different reasons than they purchase paper books. Again, it comes down to knowing your audience and their needs.

Let me share with you the top three reasons that people have specifically stated or demonstrated to me about why they might choose an eBook over a paper book. All of these cases apply to only my own work with non-fiction.

1. They want the information right away. Like, yesterday. They search online first for the content, find a resource, like a blog that tells them things they like to hear, and then find out that the blog Author also has an eBook available for download.

2. They don’t have time to read that much. I’ve heard more than once that people have a perception of paper-bound books occasionally being too deeply explorative of topics. They just want the facts. They don’t want to know the backstory – it won’t change how they use the information or how they make decisions.

3. They just don’t want more “stuff” in their lives. An eBook on their phone, iPad or other digital device is more or less invisible. It doesn’t require storage and is always in their back pocket. They can make notes or send paragraphs to others via email or even Facebook.

So if we know all of these things about our reader, how can we imagine that they want to read an eBook?

- uncomplicated, unburdened writing
- plain language, not a lot of buzzwords
- straight-to-the-point explanations
- external references will work easily (like web links for more info or your bibliography)
- high-level exploration of the topic, unless it’s specifically stated that yours is an in-depth work
- written in a lighter, more entertaining style
- consider modularizing content into self-contained sections that make sense on their own, allowing readers to make choices about how they choose to read the content, perhaps just one mini-chapter at a time
- use clear headings and sub-headings
- use consistent organization, conventions, and glossaries that interlink to your main content
- be sure that your chapter headings and subheadings links work properly, allowing people to hop around to parts of the content clearly
- make sure that your sales copy clearly represents what readers will receive
- use standardized platforms and technologies with the widest appeal and compatibility (watch out for the use of Flash on Apple devices, for example)
- offer them follow up content that meshes with your first book or offering

In closing, let me offer you a single caution: don’t make assumptions that your eBook readers are young hipsters, and can understand euphemisms and slang. Lighter and more entertaining doesn’t mean using cultural references or inside jokes that may be missed by a 55+ crowd.

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Book launches are useless.

May 17th, 2011 . by Peggy

Rather than launch a book, why not launch an online community? A way to poke fun at ourselves? A volunteer campaign? A wacky public stunt? A fundraising effort? A regular podcast about the key issues of your book? Awareness around a cause? A free tool that saves people time or money? An interview with someone that inspired you?
Why do the usual? Like, ever?

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eBook Authors Must Read This Post

January 25th, 2011 . by Peggy

If you are trying to sell ebooks to mobile readers (and who isn’t?) you must read this post by blogger Piotr Kowalczyc. The entire post is written in bullet points, with exact instructions on how to sell more ebooks to mobile phone readers.

(And by the way, this is precisely what I do every day. Trust me. It definitely does sell more ebooks.) I might add, that you can use your own affiliate link (Amazon calls these “Associates” when referring traffic to your own books. He also gives great points on using hashtags on Twitter.

Here are the first few lines of the post, just to whet your appetite:

“If you are a self-publisher actively using social media to find readers and draw their attention to your books (probably published in an electronic form), this post is for you.

I’d like to share a simple way to make your e-book available for instant purchase by mobile phone users. As you’ll see – it’s very easy.”

Good luck!

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BookCamp and Social Media Camp Weekend

October 4th, 2010 . by Peggy

This past weekend, I attended two events. Friday was #bcvan10, or BookCamp Vancouver, and Sunday was #smcv10, or Social Media Camp Victoria. Both events made quite an impression on me.

Here’s a bulleted list of what I learned at Social Media Camp and BookCamp. (I’m too tired to turn my notes into prose.)

  1. I need to leave the house more often. (So much for the glamorous benefits of being self-employed.)
  2. Book publishers are trying really hard to succeed in the area of eBooks. Some are fighting the ePub revolution tooth and nail, but many houses are working to convert entire back catalogues to ePub format. The problem is, they’re spending far, far too much money to do it. Their methodology for this needs serious re-examination.
  3. Social media ROI is measurable after all – it’s not just about karma. Correlating the relationship between tweets and visits to my blog is easy. Visits to my blog has a direct relationship to new client intake. (But don’t mess with karma, regardless.)
  4. I’m not the only one who wants to know the real people behind my social media connections. People can build a certain amount of trust online, and that’s accomplished best with video (I know that from personal experience – nobody said it this weekend) but meeting people in the real world is what closes the deal.
  5. My personal understanding of the way SEO and social media work together was not fantasy – it was bang on. (Blog post or white paper forthcoming.)
  6. I think I’m going to re-issue a number of the eBooks I’ve created under various pseudonyms with my real name slapped on the front. Re-brand, re-market.
  7. People trying to self-publish fiction need a whole new way of connecting and doing business. I hope that some of the people I met on Friday at BookCamp have a chance soon to attend Social Media Camp. Everyone in that business is either lost, frustrated, or slowly going broke. It’s crazy. Non-fiction has it much easier, but there’s a reason I don’t do fiction. It’s just sooooo hard.
  8. It was very encouraging on Friday to hear that so many people are on the eBook bandwagon. I had serious concerns about being the naughty eBook girl in a room full of hardcover lovers. (Which I still am, by the way.) But instead, I felt encouraged and optimistic about the relationship between eBooks and traditional publishing houses, for the very first time. Many companies might survive, including ones that only a year ago had self-prophesied their doom.
  9. I need to be much more consistent about my own application of social media. My Klout rating had dropped to *6* from 24. But, after today, it’s now up to 35. @meganberry was right – it’s not about the number of followers.
  10. This is going to be a crazy next three months.

And one more thing: #11. Affiliate marketing is still the big pothole that I see missing from both the book marketing picture and the social media picture. (Document of some sort forthcoming.)

Cool people I met, connected with, or otherwise admire from this weekend:

- http://twitter.com/unmarketing (Scott Stratten, Keynote at #SMCV10)
- http://twitter.com/julien (Julien Smith, Keynote at #SMCV10)
- http://twitter.com/jmaxsfu (John Maxwell, Professor at SFU, co-organizer of #bcvan10, eBook advocate)
- http://twitter.com/justyn (Justyn Howard, Speaker at #SMCV10)
- http://twitter.com/brendonjwilson (Speaker at #bcvan10)
- http://twitter.com/raincoaster (Lorraine Murphy, Speaker at #SMCV10)
-  http://twitter.com/Kathleen_Fraser (Speaker at #bcvan10 and Mpubber)
- http://twitter.com/stitchtowhere (Cynara Geissler, Speaker with Kathleen at #bcvan10)
- http://twitter.com/seancranbury (Host of Books on the Radio, guy with camera, co-organizer of #bcvan10, Mpubber)
- http://twitter.com/daveohoots (Marketing Dude for Hootsuite.com and Speaker at #smcv10)
http://twitter.com/tpholmes (co-organizer of #smcv10)
- http://twitter.com/meganberry (Marketing Manager for Klout.com and Speaker at #smcv10)
- http://twitter.com/somisguided (Monique Trottier, Social Media chick and consultant, co-organizer of #bcvan10)

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Busting the eBook Myth

May 19th, 2010 . by Peggy
eBooks are now hugely popular. If that’s the case, why are there still printed books?
eBooks are the best and worst thing to happen to the publishing industry in the last 200 years. They are the best thing because in a sense, they level the playing field for many Authors who wish to self-publish. However, they’re also the worst thing to happen, because they are so grossly misunderstood.
eBooks are not a replacement for printed books. They simply serve a different market. I still buy paper books all the time – but I buy them for totally different reasons than I buy eBooks.
What makes a book a good candidate for an eBook are three main things, what I call “The Three M’s of Publishing”.
The first M is Modularization. Think of chunking your content out in smaller pieces. If it’s non-fiction, this is often easier than for fiction, although some fiction might be able to be serialized. But readers of non-fiction are often trying to solve a problem or get specific information, and being able to give them just what they need, right when they need it, is very powerful. This ability to modularize content and offer it as an immediate download to their electronic device is critical to many readers.
The other two M’s are Mobility and Multimedia. Everyone who’s bought a cell phone in the last couple of years has the ability to read a book on a mobile device, and the iPad is synonymous with mobile reading of rich, multimedia-enabled content. Think of all the ways a video or an audio can show you something that words can’t describe. We need to expand our definition of a book to include non-textual material – whatever best serves the needs of the reader is the best ‘book’ to create.
Paper books are not going away. The marketing guru Seth Godin said, ‘The book is a souvenir.’ This means that we’ll pay for things other than content, such as status (such as limited edition hardcovers), beautiful and exceptional design, and collectability. How many of us have every book from our favourite Author on our shelf? When the next one comes out, we’re buying another paper book to complete the collection. That’s why I just bought the latest from my favourite fiction Author last week, in a large hardcover edition. I had a spot reserved for it on my shelf before it was even released.
eBooks create new and continually expanding opportunities for self-published Authors. But, there are things all eBook creators should know before they get into the game.
Number one, you still need to hire an Editor. Number two, you need to become familiar with the technology that will facilitate and sell your eBook. And third, you need to think of the eBook as a business. Authors need to get serious about marketing, publicity, and understanding technology. Many first-time eBook Authors make huge mistakes in the area of design, market strategy, and simply writing well. A bad eBook is still a bad book!
We romanticize much of the art of Writing, and the image of the Author with pen in hand, sitting in a peaceful setting and worrying about nothing other than perfecting their craft. That myth has just got to be busted, and fast. This is why I really feel that we need to eliminate the term ‘self-publishing’. The word ‘self’ means just that – they are writing for themselves. That’s fine if you don’t expect to sell thousands of copies. Instead, I think we need to use the term ‘entrepreneurial publishing’. That means that Authors are objective, and they don’t work in isolation. They network. They get out there. That’s what makes a really great book of any sort.
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Books Are Dead (?)

March 29th, 2010 . by Peggy

Watch this 2.5 minute video on YouTube.com - but don’t make assumptions until you’ve seen the whole thing.

I admit it – I didn’t see that coming.

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Higher Profit for Kindle Authors?

January 22nd, 2010 . by Peggy

From The Associated Press today:

Amazon offers new royalty program for Kindle books SEATTLE (AP) _ Amazon.com Inc. said Wednesday it will begin offering do-it-yourself authors and publishers a bigger cut of book sales on its Kindle e-reader _ but with strings attached aimed at keeping prices down for consumers. The company said that starting in June, it will offer users of its e-book self-publishing program, the Kindle Digital Text Platform, royalties on book sales of 70 percent after delivery costs. With those costs equaling less than 6 cents per book, Amazon said authors will be able to earn $6.25 per copy on a book that sells for $8.99, rather than the old rate of $3.15.

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More About Free Books

December 18th, 2009 . by Peggy

Check out this vid of Wired Editor Chris Anderson talking about his book released this past Summer, titled Free, where he discusses the concept of how to make money giving away content.

Thanks to commenter Mindi for bringing this to my attention. Cool.

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Free Books: A Viable Business Model?

December 14th, 2009 . by Peggy

The debate surrounding free content has become so heated it melts the keyboards of most Bloggers, Musicians, Visual Artists and other Creators. But does it work for Authors?

Anyone who’s published a book knows that you’re expected to give away a few things for free, including sample chapters, and of course review and publicity copies of your book. Most Authors have done free lectures in exchange for a table at the back of the room from which to sell their stuff.

But what if you gave away the entire book? All the time? To everybody?

Bloggers have been particularly frustrated by the issue of what to give away, and what to sell, at any of the conventions and gatherings I’ve been to in 2009. Most of them have written the equivalent of several books and not gained a penny from their efforts. Bloggers are getting a bit angry about this, because we’ve all seen so many promises of things like huge waves of blogging ad revenue that simply haven’t come true. In addition, people have become quite jaded by a proliferation of quality free content, and don’t seem willing to pay for information that helps them, entertains them, or even makes them money in turn.

But there are people making decent money – in fact, some making fantastic money – giving away content. How are they doing it?

According to Blogger and Podcaster Magazine, there are a few basic ways that people profit from free online content, including (for the most part) advertising, merchandise, and using the content to sell something more valuable: their consulting expertise. Like you, I was worried that this meant that if Authors wanted to learn from other industries and try giving away their books while making money in some other fashion, we might need to place completely unrelated and distracting ads alongside our books, which are now published as websites. This might work for some, but definitely not for all Authors and their creative works.

Seth Godin argues that  “…The book is a souvenir.” In the previous link, he discusses several cases where Authors – including himself, of course – who have released their books for free on the internet, are still selling paper or downloadable copies. Why? Because what people pay for is the instrument of delivery. Special leather-bound editions might only sell 250 copies, but they could sell for upwards of $250 per copy. CD’s containing eBooks, along with perhaps some bonus material, are still capable of significant digital cachet. Here’s an Author’s opportunity to partner with a graphic artist and create something elegant, beautiful, and distinctive – something irresistable.

Even 37Signals, the company who created the online project management system called Basecamp (that last one is an affiliate link), offered their ebook Getting Real for free if you read it off their website. They sell a downloadable version for $19, and a paper copy for $25. Despite offering it for free, they’ve sold over 30,000 copies of the downloadable version alone.

Examine this additional model from filmmaker Nina Paley, who created the film Sita Sings the Blues, based on the Ramayana of Valmiki. (Well, why the hell not?) Her very public accounting (see the link under her name) of the ways and how much money she’s made by not selling her film tells us something very important: this model does work, but you have to take a wholistic approach. Just one of those revenue streams is not enough – you need to present a well-rounded series of offerings.

As Paley says on her website, “There is the question of how I’ll get money from all this. My personal experience confirms audiences are generous and want to support artists. Surely there’s a way for this to happen without centrally controlling every transaction. The old business model of coercion and extortion is failing. New models are emerging, and I’m happy to be part of that. But we’re still making this up as we go along. You are free to make money with the free content of Sita Sings the Blues, and you are free to share money with me. People have been making money in Free Software for years; it’s time for Free Culture to follow. I look forward to your innovations.” (Links in previous paragraph are from Paley’s original website. I encourage you to give her money.)

Even with all the heat, I think I’m up for the challenge. Even if it melts this keyboard.

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